CLASSICAL GUITAR REPERTOIRE<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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RENAISSANCE<\/strong><\/h2>\n

<\/p>\n

\n
• Fantasia \/ John Dowland<\/li>\n
• Fantasia \/ Alonso Mudarra<\/li>\n
• Canci\u00f3n del Emperador \/ Luys de Navarez<\/li>\n<\/ul>\n

  <\/p>\n

  BAROQUE<\/strong><\/h2>\n

  <\/p>\n

  \n
  • Pr\u00e9lude BWV 1007 \/ J.-S. Bach<\/li>\n
  • Pr\u00e9lude, Fugue et Allegro BWV 998 \/ J.-.S. Bach<\/li>\n
  • Suite no.4 BWV 1006a (Pr\u00e9lude) \/ J.-S. Bach<\/li>\n
  • Partita no.2 BWV 1004 (Chaconne) \/ J.-S. Bach<\/li>\n<\/ul>\n

    <\/p>\n

    CLASSICAL<\/strong><\/h2>\n

    <\/p>\n

    \n
    • Grande Ouverture Op.61 \/ Mauro Giuliani<\/li>\n
    • \u00c9tudes 5, 10, 11, 13 \/ Fernando Sor<\/li>\n
    • Variations sur la fl\u00fbte enchant\u00e9e de Mozart \/ Fernando Sor<\/li>\n<\/ul>\n

      <\/p>\n

      ROMANTIC<\/strong><\/h2>\n

      <\/p>\n

      \n
      • Les soir\u00e9es d’Auteuil Op. 23 \/ N. Coste<\/li>\n
      • R\u00eaverie \/ Giulio Regondi<\/li>\n
      • Lagrima \/ Franceso Tarrega<\/li>\n
      • Recuerdos de la Alhambra \/ Francesco Tarrega<\/li>\n
      • Caprice Arabe \/ Francesco Tarrega<\/li>\n<\/ul>\n

        <\/p>\n

        CONTEMPORARY (20th-21st century)<\/strong><\/h3>\n

        <\/p>\n

        \n
        • Collecti intim \/ Vincente Ascencio<\/li>\n
        • Polifemo de Oro \/ Reginald Smith Brindle<\/li>\n
        • Danza Caracteristica \/ Leo Brouwer<\/li>\n
        • El decameron negro \/ Leo Brouwer<\/li>\n
        • Preludios Americanos no.3 \/ Abel Carlevaro<\/li>\n
        • Koyunbaba \/ Carlo Domeniconi<\/li>\n
        • English Suite Op. 31 \/ John W. Duarte<\/li>\n
        • Libra Sonatine \/ Roland Dyens<\/li>\n
        • Suite pour guitare Op. 41 \/ Jacques H\u00e9tu<\/li>\n
        • Arabesque en forme de Caprice \/ Francis Kleynjans<\/li>\n
        • Usher Waltz \/ Nikita Koshkin<\/li>\n
        • Sonatina \/ Jorge Morel<\/li>\n
        • Temptation of the Renaissance \/ Stepan Rack<\/li>\n
        • Tres piezas espa\u00f1olas \/ Joaquin Rodrigo<\/li>\n
        • Invocation et Danse \/ Joaquin Rodrigo<\/li>\n
        • D\u2019un ciel \u00e0 l\u2019autre \/ Patrick Roux<\/li>\n
        • Three Epitafios (1er mvt) \/ Mikis Theodoriakis<\/li>\n
        • Cappriccio Diabolico \/ Mario Castelnuvo-Tedesco<\/li>\n
        • Tarentella \/ Mario Castelnuovo-Tedesco<\/li>\n
        • Krynica \/ S\u00e9bastien Vachez<\/li>\n
        • La chanson de Roland \/ S\u00e9bastien Vachez<\/li>\n
        • Sunburst \/ Andrew York<\/li>\n<\/ul>\n

          SPANISH MUSIC<\/h2>\n

          \n
          • Asturias \/ Isaac Albeniz<\/li>\n
          • Sevilla \/ Isaac Albeniz<\/li>\n
          • Rumores de la Caleta \/ Isaac Albeniz<\/li>\n
          • Sonata \/ Mateo Albeniz<\/li>\n
          • Zapateado \/ Regino Sainz de la Maza<\/li>\n
          • Ronde\u00f1a \/ Regino Sainz de la Maza<\/li>\n
          • Suite Castellana \/ Federico Moreno-Torroba<\/li>\n
          • Sonatina \/ Federico Moreno-Torroba<\/li>\n<\/ul>\n

            IRISH MUSIC<\/h2>\n

            \n
            • The fair Haired Boy and three Little Drummers \/ trad. arr. David Russell<\/li>\n
            • The bonnie, Bonnie Banks of Loch Lommond \/ trad. arr. David Russell<\/li>\n
            • The Bucks of Oranmore \/ trad. arr David Russell<\/li>\n
            • Spatter the Dew \/ trad. arr David Russell<\/li>\n<\/ul>\n

              JAPANESE MUSIC<\/h2>\n

              \n
              • Sakura \/ Yuquijiro Yocoh<\/li>\n<\/ul>\n

                SOUTH AMERICAN MUSIC<\/h2>\n

                \n
                • Aire de Zamba \/ Augustin Barrios<\/li>\n
                • Cueca \/ Augustin Barrios<\/li>\n
                • Choro da Saudade \/ Augustin Barrios<\/li>\n
                • Las Abejas \/ Augustin Barrios<\/li>\n
                • La catedral \/ Augustin Barrios<\/li>\n
                • Madrigal \/ Augustin Barrios<\/li>\n
                • Preludio Op. 5 No.1 \/ Augustin Barrios<\/li>\n
                • Sounds of bells \/ Joao Guimares<\/li>\n
                • Frevo Bajado \/ Celso Machado<\/li>\n
                • El Marabino \/ Antonio Lauro<\/li>\n
                • El Totumo \/ Antonio Lauro<\/li>\n
                • Valses V\u00e9n\u00e9zu\u00e9liennes \/ Antonio Lauro<\/li>\n
                • Suite populaire Br\u00e9zilienne \/ Heitor Villa-Lobos<\/li>\n
                • Ch\u00f4ros Typico \/ Heitor Villa-Lobos<\/li>\n
                • Pr\u00e9lude no.1-5 \/ Heitor Villa-Lobos<\/li>\n
                • \u00c9tudes 1-2-3-6-7 \/ Heitor Villa-Lobos<\/li>\n<\/ul>\n

                  SUITE OF FRENCH SONGS \/ arr. Roland Dyens<\/h2>\n

                  \n
                  • La bicyclette,<\/li>\n
                  • Gottingen<\/li>\n
                  • La chanson des vieux amants<\/li>\n
                  • Il pleut dans ma chambre<\/li>\n
                  • La java Bleue,<\/li>\n
                  • L’Hymne \u00e0 l’amour<\/li>\n
                  • La Foule<\/li>\n<\/ul>\n

                    CONCERTOS<\/h2>\n

                    \n

                    \n
                    • Tres Danzas Concertantes \/ Leo Brouwer<\/li>\n
                    • Concerto pour guitare et orchestre \u00e0 cordes Op.56 \/ Jacques H\u00e9tu<\/li>\n
                    • Concierto de Aranjuez \/ Joaquin Rodrigo<\/li>\n
                    • Concerto en r\u00e9 majeur \/ Antonio Vivaldi<\/li>\n<\/ul>\n<\/div>\n
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                      CLASSICAL GUITAR REPERTOIRE RENAISSANCE Fantasia \/ John Dowland Fantasia \/ Alonso Mudarra Canci\u00f3n del Emperador \/ Luys de Navarez BAROQUE […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-883","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/sebastiendeshaies.com\/en\/wp-json\/wp\/v2\/pages\/883","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sebastiendeshaies.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sebastiendeshaies.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sebastiendeshaies.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/sebastiendeshaies.com\/en\/wp-json\/wp\/v2\/comments?post=883"}],"version-history":[{"count":30,"href":"https:\/\/sebastiendeshaies.com\/en\/wp-json\/wp\/v2\/pages\/883\/revisions"}],"predecessor-version":[{"id":4030,"href":"https:\/\/sebastiendeshaies.com\/en\/wp-json\/wp\/v2\/pages\/883\/revisions\/4030"}],"wp:attachment":[{"href":"https:\/\/sebastiendeshaies.com\/en\/wp-json\/wp\/v2\/media?parent=883"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}